Casablanca [Blu-ray]

[cckeric]

[jv8803]

[motobee]

ng 6 未出世

[peterso]

黑/白片 jar wor 要唔要 blu-ray 呀

[bobby chu]

ng 6 未出世

[cckeric]

黑/白片 jar wor 要唔要 blu-ray 呀

高清黑白

[motobee]

黑/白片 jar wor 要唔要 blu-ray 呀

高清黑白

舒特拉的床單 有無出br

[初哥]

黑/白片 jar wor 要唔要 blu-ray 呀

高清黑白

買隻VCD,去597屋企睇咪得囉

[avfunfun]

真係要超級番士至會買, 我估

[cckeric]

'Casablanca' is more than a classic. It's an institution. It contains so many famous lines, characters and scenes that even those who have never seen it feel like they have by sheer osmosis; it is that ingrained in our shared cinematic consciousness.

The iconic moments from Michael Curtiz's 1942 masterwork are what cineastes remember most -- "We'll always have Paris," "Here's looking at you, kid" -- but what continues to startle, sixty years on, is just how well constructed and eminently watchable 'Casablanca' is. Yes, the famous parts are justifiably classic examples of writing, directing, performance, and editing, but check out all that lies between the film's obvious masterstrokes: Curtiz's subtle use of camera movement, the expressive melancholia of Max Steiner's musical score, Claude Rains' shady but lovable turn as Ingrid Bergman's would-be suitor -- these may not be the moments that continue to get spoofed on retrospective TV specials and American Express commercials, but they do confirm that it is impossible to imagine ever getting tired of watching 'Casablanca.'

Bergman and Humphrey Bogart deserve a lot of credit for the success of the film, for it is their indelible chemistry that continues to send hearts soaring six decades on. Never has emotional pathos and barely contained physical longing been so eloquently apparent. And when they have to say good-bye to each other at the end of the film? There is not a dry eye in the house.

'Casablanca' is more than just a movie; it is also a place, and a state of mind. Its misty, darkly-lit streets and haunted piano bars remain figments of our lost dreams, and glimmers of our future hopes. Bogart and Bergman have, despite changing tastes, fads and fashions, remained our romantic ideal, the perfect pair of lovers who must -- as fate decrees -- part for now, but perhaps not forever. It is one of those rare movie moments when all of the planets aligned perfectly, to capture the pure essence of human fragility, love and longing in a single, iconic shot. It may be a predictable choice for Best Movie of All-Time, but 'Casablanca' really is that good, that important and that seminal.

[avfunfun]

'Casablanca' is more than a classic. It's an institution. It contains so many famous lines, characters and scenes that even those who have never seen it feel like they have by sheer osmosis; it is that ingrained in our shared cinematic consciousness.

The iconic moments from Michael Curtiz's 1942 masterwork are what cineastes remember most -- "We'll always have Paris," "Here's looking at you, kid" -- but what continues to startle, sixty years on, is just how well constructed and eminently watchable 'Casablanca' is. Yes, the famous parts are justifiably classic examples of writing, directing, performance, and editing, but check out all that lies between the film's obvious masterstrokes: Curtiz's subtle use of camera movement, the expressive melancholia of Max Steiner's musical score, Claude Rains' shady but lovable turn as Ingrid Bergman's would-be suitor -- these may not be the moments that continue to get spoofed on retrospective TV specials and American Express commercials, but they do confirm that it is impossible to imagine ever getting tired of watching 'Casablanca.'

Bergman and Humphrey Bogart deserve a lot of credit for the success of the film, for it is their indelible chemistry that continues to send hearts soaring six decades on. Never has emotional pathos and barely contained physical longing been so eloquently apparent. And when they have to say good-bye to each other at the end of the film? There is not a dry eye in the house.

'Casablanca' is more than just a movie; it is also a place, and a state of mind. Its misty, darkly-lit streets and haunted piano bars remain figments of our lost dreams, and glimmers of our future hopes. Bogart and Bergman have, despite changing tastes, fads and fashions, remained our romantic ideal, the perfect pair of lovers who must -- as fate decrees -- part for now, but perhaps not forever. It is one of those rare movie moments when all of the planets aligned perfectly, to capture the pure essence of human fragility, love and longing in a single, iconic shot. It may be a predictable choice for Best Movie of All-Time, but 'Casablanca' really is that good, that important and that seminal.

妄煮實岩你啦呢套戲

[cckeric]

妄煮實岩你啦呢套戲

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[avfunfun]

妄煮實岩你啦呢套戲

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我都信, 點睇你都細個我

[cckeric]

妄煮實岩你啦呢套戲

未出世...

我都信, 點睇你都細個我

小姐

[京]

我有個大學同學,好鬼鍾意呢套戲........